![]() This reduces the emphasis on architecture and focuses on contemporary landscape painting.ĭuring the Renaissance, many painters expressed urban myths through landscape. In this perspective, the Venice lagoon painted by Giovanni Bellini combines oil painting with superficial layers of glaze. The contemporary artist Dürer defined him as "the good painter of landscapes", knowing that he himself was the first whose works designated watercolors and gouaches as landscapes. Gerhard Richter's painting has the same kind of intellectual relationship with the landscape as a pictorial genre.Īccording to art critics, the Antwerp painter Joachim Patinier is the creator of the landscape as a genre. Allowing himself freedom in the representation of reality, he stages the landscapes of Sicily which he fell under the spell of during his trip to Italy in 1953. ![]() He proposes a more realistic painting, his works question the opposition between abstraction and figuration. Nicolas de Staël (1914-1955) appropriated landscape painting in a completely different way than the artists studied so far. Vincent van Gogh: The Starry Night is probably the best known of his famous landscape paintings! It was in 1888 when he moved to Arles that he painted a soft starry night conducive to his reverie, some of the plastic elements of this landscape illustrate well his pathology: sharp lines, hellish spirals, very contrasting colors. It marks a decisive turning point in the history of landscape paintings because it plays on the effects of light, and emphasizes the accuracy of nature through its features and remains faithful to the model, ie the landscape itself. The impressionism of Claude Monet at the end of the 19th century accomplished a true revolution in the practice of landscape painting. William Turner and Caspar David Friedrich are in a register of landscape nature tortured and represent emotions in a pure state in their paintings. The 20th century was marked by a new wave of landscape painting with the launch of the Land Art movement.Īttached to the landscapes of the Atlantic coast Edward Hopper painted them and gives rise to contradictory interpretations notably he represents a scene in the 1880s. In the XIXth century, the interior landscape is put forward by the Romantics with more or less oriental tendencies. In the 17th century, even if the landscape is not recognized academically, it is strongly represented in the works of Rubens or Nicolas Poussin. The "topia" or landscape scheme was established in the Roman imperial period. In ancient Greece and Rome, the landscape intervenes as a background intended to put forward a main scene. This compromise is slow, complex and difficult to reconstruct, but it is always essential. The birth of landscape is subject to a compromise, in situ - the attention of the landscape painter and in visu - the vision of the painter. The love of landscape develops in contact with pictorial art and the new developments of the modern era. The painted landscape takes a real importance in the Renaissance with mainly religious or mythological subjects. Little by little, new perspectives are born and reveal scenes of daily life like the very rich hours of the Duke of Berry. In the Middle Ages, the landscape reveals notions of organization of space.
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